.3. 回复：Stirling大学荣誉校长Diana Rigg个人简介pizza(2008/12/7 0:10:05)
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Rigg is particularly known for her role in the British 1960s television series The Avengers, where she played the sexy secret agent Emma Peel for 51 episodes between 1965-68. Her career in film, television and the theatre has been wide-ranging, including roles in the Royal Shakespeare Company between 1959 and 1964. Her professional debut was in The Caucasian Chalk Circle in 1955, aged 17.
Rigg tried out for the role of Emma Peel on a whim, without ever having seen the programme. Although she was hugely successful in the role, she did not like the lack of privacy that television brought. She also did not like the way that she was treated by ABC Weekend TV. After a dozen episodes, she discovered that she was being paid less than a cameraman.
For the second series she held out for a raise in pay (from GB£90 to GB£180 weekly), but there was still no question of her staying for a third year. Patrick Macnee, her co-star in the series, noted that Rigg had later told him that she considered Macnee and her driver to be her only friends on the set. After leaving The Avengers she appeared as the title character in the telemovie The Marquise, which was based on a play by Noel Coward.
She also returned to the stage, including playing two Tom Stoppard leads, Ruth Carson in Night and Day and Dorothy Moore in Jumpers. A nude scene with Keith Michell in Abelard and Heloise led to a notorious description of her as 'built like a brick mausoleum with insufficient flying buttresses', by the crude and acerbic critic John Simon. Decades after the play, Rigg revealed to British TV interviewer Michael Parkinson that because of the sexual nature of the play, Abelard and Heloise was known in theatrical circles as "On-Your-Knees and Gobble-Hard."
In 1982, she appeared in a musical called Colette, based on the life of the French writer and created by Tom Jones and Harvey Schmidt, but it closed during an American tour en route to Broadway. In 1986, she took a leading role in the West End production of Stephen Sondheim's musical Follies.
On the big screen she became a Bond girl in On Her Majesty's Secret Service (1969), playing Tracy Bond, James Bond's only wife. Throughout the filming of the movie, there were rumors that the experience was not a happy one, owing to a personality clash with Bond actor George Lazenby. The rumors may have arisen from a reporter witnessing her say "I'm having Garlic for lunch George [Lazenby] I hope you are!" before a love scene between the two. However, both Rigg and Lazenby have denied the claims, and both wrote off the garlic comment as a joke. Her other films include The Assassination Bureau (1969), The Hospital (1971), Theatre of Blood (a film she considers to contain her best work) (1973), In This House of Brede and A Little Night Music (1977). She also appeared as Lady Holiday in the 1981 film The Great Muppet Caper.
In the 1980s, after reading stinging reviews of a stage performance she had given, Rigg was inspired to compile the worst theatrical reviews she could find into a tongue-in-cheek (and best-selling) compilation, entitled No Turn Unstoned. In 1981 she appeared in a Yorkshire Television production of Hedda Gabler in the title role. In 1982 she received acclaim for her performance as Arlena Stuart Marshall in the film adaptation of Agatha Christie's Evil Under the Sun. In 1984, she appeared in a public television production of King Lear, starring Sir Laurence Olivier in the title role, as Regan, the king's treacherous second daughter. In 1985 she costarred with Denholm Elliot in a BBC production of Bleak House, a novel by Charles Dickens. In 1988, she played the Wicked Queen in the Cannon adaptation of Snow White. In 1989, she played Helena Vesey in Mother Love for the BBC; her superb portrayal of an obsessive mother who was prepared to do anything, even murder, to keep control of her son won Diana the 1989 BAFTA for best actress.
In 1986, she presented the Scottish Television series Held in Trust, which focused on the work of the National Trust for Scotland and some of its most famous treasures.
In the 1990s, she had triumphs with roles at the Almeida Theatre in Islington, including Medea in 1993 (for which she received the Best Actress Tony Award), Mother Courage in 1995 and Who's Afraid of Virginia Woolf? in 1996. On television she has appeared as Mrs. Danvers in Rebecca (winning an Emmy Award in the process), as well as the mother-in-law in the PBS production "Moll Flanders", and as the brilliant amateur detective Mrs. Bradley in The Mrs Bradley Mysteries.
In this series, first aired in 2000, she played Gladys Mitchell's detective, Dame Beatrice Adela Le Strange Bradley, an eccentric old woman who worked for Scotland Yard as a pathologist. The series was not a critical success and did not return for a second season.
From 1989 until 2003, she hosted the PBS television series Mystery!, taking over from Vincent Price, her co-star from Theatre of Blood. Her TV career in America has been varied; most famously she starred in her own series Diana, but it was not successful.
Rigg has continued to perform on stage in London, the latest play being a drama entitled Honour which had a limited but successful run in 2006.
Although she does not consider herself a singer, her performances in A Little Night Music, Follies and other stage musicals have been well received by audiences and critics alike. She made a highly memorable appearance with Morecambe and Wise in 1976, in which she played Nell Gwynne in a musical pastiche, joining Eric and Ernie to sing “How Could You Believe Me When I Said I Loved You When You Know I've Been A Liar All My Life?”.
She also appeared in the second season of Ricky Gervais' hit comedy, Extras, alongside Harry Potter star Daniel Radcliffe, and the 2006 film The Painted Veil.
She recently appeared as Huma Rojo in the Old Vic's production of All About My Mother, adapted by Samuel Adamson and based on the film of the same title directed by Pedro Almodóvar. Her next stage appearance will be in The Cherry Orchard at the Chichester Festival Theatre.